Glimpses into San Diego's Past

by

Richard W. Amero

James Britton II (1915-1983) was an acute critic of art, architecture and social planning in San Ciego City and County. His thinking had been shaped by the writings of Plato, Emerson, Lewis Mumford, and by the dreams and works of San Diego architect Lloyd Ruocco. Britton's writing were controversial because they evoked thought, challenged prejudices, and presented visions of a tomorrow that could be if people heeded the advice of their best thinkers and planners. While he often pretended he knew all the answers, he was modest enough to admit that other people sometimes knew better. His views are especially interesting in the 21st century partially because of what Britton anticipated and partially because of environmental and ecological problems that he did not anticipate. It is fascinating to see how his strategies for coping with overpopulation became a fear as he saw the catastrophic consequences of the human explosion not only in San Diego but throughout the world.

Amelita Galli-Curci, San Diego Nightingale: Galli-Curci, hailed as "the world's greatest coloratura soprano" in the 1910's and 20's, spent her retirement years during the 1950's and 60's in Rancho Santa Fe and La Jolla.

Madame Ernestine Schumann-Heink, A Legend in Her Time: Mme. Ernestine Schumann-Heink’s life had the before-and-after quality of a fairy story. Born in poverty, she became rich. Considered plain and plump in appearance, on stage she was regal and impressive. When she began singing in public, at age 15, no one thought she would become a professional singer. When she moved to San Diego, at age 48, music critics in Europe and the United States hailed her as "the world's outstanding contralto." It was her mixture of engaging and contrasting qualities that made Madame Schumann-Heink a legend in her time

Christmases in Early California: Christmases have always touched the heart. So it was during California's first Christmases; so it is today.

Balboa City, Balboa Park, Balboa Laundry and Vasco Nunez De Balboa In the teens and twenties of the 20th century it became popular for promoters and developers to use the name "Balboa" for cities, parks and businesses. San Diego began the trend when backers of the Panama-California Exposition decided to name their in-town City Park after the explorer. After that, many cities and businesses picked up the name.

Colonel D.C. Collier, Inspiration for the Citizens of Today: Colonel D. C. Collier was a lawyer, real-estate developer, public servant, amateur archeologist, dabbler in minerals, and consultant in the holding of expositions.

John Nolen, Toward A Biography John Nolen was born in Philadelphia in 1869 and died in Cambridge, Mass. in 1937. During his life he laid out plans for cities and towns and designed park systems in all parts of the nation.

City Planner John Nolen and Balboa Park. Nolen's 1926 plan for San Diego was adopted as the official plan by the San Diego City Council and has remained as a guide for city planning ever since. His plans for Balboa Park were, however, "more honored in the breach than the observance."

John Nolen and The Future of the San Diego Waterfront In 1978 City Planning Director Glenn Rick noted that the introduction of “hotels, restaurants, yacht clubs and associated uses” along the waterfront reduced the amount of “desirable waterfront land.” To architect Sam Hamill, in 1960, it was “intrusions by the Navy and industry” that spoiled the effect of “a grand [waterfront] entrance” to San Diego. These criticisms applied to developments north of B Street leading to La Playa and Point Loma, though the criticisms were also applicable to unseemly developments south of B Street. (It is worth noting that the E Street terminus for commercial development that John Nolen had recommended in his 1908 comprehensive plan for San Diego had shifted to B Street in his 1926 comprehensive plan. Business and political interests, acting in behalf of themselves and the U.S. Navy, had maneuvered the change.)

John Charles Olmsted's Wrangle with the Panama-California Exposition Corporation: John Charles Olmsted had worked with his stepfather on the 1893 Exposition and had laid out the grounds for the 1905 Lewis and Clark Centennial Exposition in Portland, Oregon and the 1909 Alaska-Yukon Pacific Exposition in Seattle, Washington. With such a formidable reputation, it was inevitable that the San Diego Buildings and Grounds Committee would appoint Olmsted at a fee of $15,000, to be the landscape architect for the Panama-California Exposition.

Samuel Parsons, Jr., Landscape Architect (1844-1923) Finds Xanadu in San Diego: When in October 1902 Parsons accepted the commission to design San Diego's City Park, his landscaping firm had more than enough business. Due to his training at Yale University and the education he had received from his father, Samuel Parsons, Sr., a noted horticulturist, he had a firm grasp of the identity and nature of many plant species and he was confident that his abilities as a landscape architect were as good as or superior to those of his competitors.

Mexican-American War in Baja California: The Baja California expedition was neither costly nor bloody and its outcome had no effect upon the conclusion of the war. Naval historians give the Baja California incursion more attention than general historians because the conduct of the war sheds light on the characters of naval commanders and reveals the weaknesses of an over-extended, under-supported naval operation.

The Cabrillo Bridge CALTRANS and Balboa Park: At the outset, the Panama-California Exposition Corporation established a maximum cost of $150,000.00 for a bridge that would span Cabrillo Canyon and extend Laurel Street east through Balboa Park.

The Highs and Lows of the Botanical Building in Balboa Park. For all its limitations and diminutiveness no one in San Diego wants to do away with the Botanical Building. History tells us that City Bureaucrats proposed doing this in 1944, but even in its most dilapidated state in the years following World War II, San Diegans wanted to hold on to the building.

The California Building, A Case of the Misunderstood Baroque: Very few people appear to have looked carefully at the south facade of the California Building in San Diego's Balboa Park. H. K. Raymenton described it as Plateresque in style.

History of Federal Building: The Federal Building in the Palisades section of Balboa Park was constructed in nine weeks after the U.S. Congress had approved a bill March 7, 1935 authorizing construction of an exhibit building for $125,000 with another $225,000 for presentation of exhibits at the California Pacific International Exposition to be held in Balboa Park beginning May 29, 1935 (49 Stat. 50).

San Diego Natural History Museum: Despite shortcomings, the prognosis of the Natural History Museum in Balboa Park is good. Not only has it and inspired leaders who have helped to advance San Diego, the Southwest and Baja California, and provided a place to display scientific knowledge, it has made visitors, members and students aware of the disastrous consequences of the disregard for natural balance on which the fate of homo sapiens as a species depends.

San Diego Museum of Art: The San Diego Museum of Art in Balboa Park had its beginnings in the Panama-California Exposition of 1915-16.

San Diego Zoo Eyes Florida Canyon (updated 12/99): In late 1997 and early 1998, the San Diego Zoo revived its plan to occupy the west slope of Florida Canyon. This time the plan was grander and more destructive than the 1970 plan. It called for the construction four six-level garages for 8,000 vehicles to replace the Zoo's parking lot and to enable the Zoo to expand to the edge of Park Boulevard.

San Diego Zoo Expansion: After a year of review by a panel appointed by the City of San Diego consisting of representatives of neighborhood and veterans groups, delegates from city committees, and city staff , the San Diego Zoo on May 17, 2001 made public a plan for expansion prepared by landscape architect Steve Estrada. Estrada had been a critic of the zoo's plan to expand into the area occupied by a nondescript building set aside as a Veterans War Memorial Building.

US Naval Hospital and Balboa Park: The greatest Naval Hospital expansion in Balboa Park began after the December 7,1941 attack on Pearl Harbor. The hospital went from 56 buildings with a bed capacity of1,424 in 1941 to 241 buildings covering 247 acres with a bed capacity of 10,499 in 1945.

Whose Park? - Balboa Park: The word "people" has a high level of generalization. As such it is synonymous with human being. It means everybody who has or had the characteristics of a human being. This excursion into abstractions may be of assistance to those who refer to Balboa Park as a "people's park" or "a park for the people"

History of East Side Balboa Park: Before the coming of landscape architect Samuel Parsons, Jr. to City Park in 1903, all the park had a similar appearance.  The Ladies Annex in 1889 & Kate Sessions in 1892 had tried to develop the 6th (Park) Avenue side of the park.  Property owners in Golden Hill, under the leadership of Matt J. Heller, and in Mulvey Canyon between Date & Juniper on the southwest side of the park in the early 1900's planted areas near their homes with semitropical trees & shrubbery & put in arbors, terraces, bridges & fountains.  After the playground movement accelerated, the property owners in the Golden Hill area added recreational facilities for children & young adults.

Can San Diego Hold a Legitimate International Exposition?: Someone in San Diego is always advocating the holding of an international exposition. Despite this constant advocacy, the city has never held a genuine World's Fair.

Eviction at Cupa: Before 1795 the Cupeno Indians of Southern California occupied a roughly circular valley about ten miles in diameter at the headquarters of the San Luis Rey River. A narrow range of mountains separated the valley from the desert. Cupenos called the valley Hakupin and Ephi, Spaniards and Mexicans the Valley of San Jose, and Americans Warner's Ranch. Cupenos resided in two villages, Cupa or Agua Caliente, near today's Warner Springs, and Wilakalpa at San Ysidro. Although Cupenos went from one village to the other and married between villages, the villages were politically independent.

Horton Plaza Park: From its beginnings, proponents of Horton Plaza Park use have divided into those who favored using the park as a passive setting for plants and trees and those who wanted the plaza to be an active center for civic events. Both groups compromised to reach their goals, but, as pressures mounted, control of plaza development shifted from one group to the other.

Organ Balboa Park: The Spreckels Organ Pavilion in Balboa Park would not exist if it were not for a timely and costly donation by John D[iedrich] Spreckels (1853-1926), whose name the Organ and the Pavilion proudly bear. John D. Spreckels was the son of Claus Spreckels (1823-1908), an immigrant to the United States and to California from Hanover, Germany, and founder of a sugar empire in California and in Hawaii. John D. was one of the wealthiest and most powerful men in San Diego County. He had decided to move to Coronado, then part of San Diego, from San Francisco after the disastrous 1906 earthquake.

Other Articles

The West Facade of San Francisco Javier in Tepotzotlan: The west façade of the Church of San Francisco Javier (1760-1762), the principal church of the college and monastery of San Martin at Tepotzotlan (1584-1767), is one of the best know churrigueresque facades in Mexico. It ranks with the facades of the Church of El Carmen at San Luis Potosi (1749-1764), the twin facades of the Sagrario Metropolitano at Mexico City (1750-1768), the façade of the Sanctuary of Ocotlan at Tlaxacala (1745 ? )), the façade of San Cayetano de la Valenciana at Guanajuato (1765-1788), the façade of La Santisima Trinidad at Mexico City (1775-1783), and the façade of San Francisco at San Miguel de Allende (1779-1799).

Index to City Park in the United States: Acres and prominent attractions of parks around the United States

Inside City Parks by Peter Harnik; Book: (Reviewed by Richard W. Amero)

Japanese-Style Gardens of the Pacific West Coast by Kendall H. Brown; Book (Reviewed by Richard W. Amero).

Capital Punishment: Now that Caryl Chessman is dead the public will breathe a sigh of welcome relief for he had become a sore trial to all.

Lessons from Hetch Hetchy After being informed of the loss of Hetch Hetchy Valley, John Muir wrote to a friend: "The destruction of the charming groves and gardens goes to my heart. But in spite of Satan & Company some sort of compensation may surely come out of this dark damn-dam damnation."

Milton and Dostoyevsky There are many approaches to the study of English poet John Milton.  Biographers discuss his life, thinkers his thought, artists his art.  Each approach is valuable, yet each is so limited that complete understanding is impossible.  Scholars are forever discovering new aspects of Milton's personality and thought.  Ideally, the end product of this research should not be obscurity, but an increase in knowledge.

Nathaniel Hawthorne and the Unquiet Element: Thirty years ago readers regarded The House of Seven Gables as Nathaniel Hawthorne's masterpiece. Students discussed its meanings in high school English classes. Today readers put The Scarlet Letter in the number one spot. The reader's increasing awareness of the techniques that go into the making of a novel and of the complications that bring individuals and society into conflict are responsible for their changing preference.

Bridge Hart Crane: Hart Crane, prominent poet of the twenties, combined the optimistic outlook of Walt Whitman and the pessimistic outlook of Edgar Allan Poe in his poem The Bridge. These were not the only people to influence Crane. Other writers contributed to the formation of his views, but Whitman and Poe were his primary American poetic parents.

Henry David Thoreau and Self-Realization: To begin to think about Thoreau meaningfully, one must understand his ideas for it is through them that he approaches and challenges us.

Striking Through the Mask or the Allegorical Meanings in Moby Dick: Herman Melville's habits of writing and rewriting and of intensifying and philosophizing transformed his story into a tragedy of many meanings

Quality of Experience in Proust and Joyce: In Remembrance of Things Past and A Portrait of the Artist as a Young Man Marcel Proust and James Joyce are concerned about the artist's relation to his craft and his relation to society. Artist-heroes in both books share many of the traits and experiences of their authors. The artist-heroes shed light on the problems of the artist in the modern world as they cope with and are shaped by their experiences. The characters are, nonetheless, conceived within the context of novels and are not transcriptions from personal diaries.

Tale of Genji, Lady Murasaki and Buddhism, Chapter 1: Murasaki does not relish dying and the Lady of Akashi reminds her that the Buddha served a hermit for a thousand years before he obtained The Scripture of the Lotus Flower.

Tale of Genji, Historical Background, Chapter 2: In its production of an art of pleasing beauty, this age is comparable to the Augustan Age in Rome, the T'ang Age in China, the Golden Age in France, and the Elizabethan/Jacobean Period in England

Tale of Genji, Character: Four main character types occupy Lady Murasaki. There are those who are analyzed more thoroughly from within than the others, such as Genji, Kaoru, Agemaki and Ukifune. These are the well-rounded. There are those who are presented through pertinent detail and incident, such as Yugao, Utsusemi, Rokujo, Tamakatsura, Kashiwagi, Higekuro and Niou. The latter people, though they feel their predicaments intensely, do not have the emotional or philosophical depth of the former.

Tale of Genji, Scenery: In a book as large as The Tale of Genji some scenes are more impressive than others. The readers' choice of such scenes depends on the significance they have for him. Many readers (and critics) have, however, acclaimed certain scenes above the rest.

Lady Murasaki and History: Above all, Lady Murasaki is discreet. She knows her role well. Supposed to please and ornament a society that exalted female beauty and gracious behavior, she, by neglecting this, risked abandonment. Already by learning the Chinese language she had transgressed one of the established rules, for educated women were looked upon as upsetting. Nonetheless Lady Murasaki's discretion was not entirely assumed since she accepted the values of her society. Still it puzzles by its implications of the unspoken, of the so much more she could tell, but will not from fear of shocking masculine notions and placing herself too far outside graceful spheres as an oddity.

Tale of Genji, Evaluation: So widespread was the power of The Tale of Genji that Buddhists and Confucian thinkers claimed it as their own.  To Buddhists the novel was a literary rendition of the Lotus Sutra, while to Confucians it contained edifying female biographies.  As a counter to these distortions, Motoori Norinaga, an eighteenth century critic, said the love poetry of The Tale of Genji was superior to didactic verse and its reflections on beauty superior to essays on good and evil.

Thoughts of Censorship As I am a supposedly educated person who has been exposed to some of this world's most famous and controversial thinkers, it appears to me I should have some thoughts on the subject of censorship.

Please email comments to:  ramero@cox.net

(For additional articles by Richard Amero see:

Balboa Park Expositions

San Diego Expositions:

www.sandiegohistory.org/balboapk.htm)